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Screen/Stage
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Most Recent Articles
Producer Lynda Obst loves literature. She’s shepherded five novels to the big screen with more in the works. So, what does the producer of films like Contact, How Lose A Guy in Ten Days, and The Fisher King, look for when reading a book or article?
By John Folsom
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Douglas Preston, who frequently collaborates with Lincoln Child (they've penned 11 novels together and are best known for their Agent Pendergast series), recently shared his thoughts on adaptations, specifically the 1997 movie adaptation of their first Pendergast novel, Relic.
By John Folsom
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Let’s face it: A novel and a screenplay are two very different creatures. It’s like comparing a housecat with a bobcat—both are cats, but one you want curled up on your lap and the other, not so much.
by John Folsom
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Here’s how to turn your promising concept into a screen-worthy script.
by Jurgen Wolff
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A treatment or a synopsis can be an indispensable tool, both for writing and marketing a screenplay. In this article, we’ll look at the relationship between the treatment, synopsis, summary, logline, scene cards and coverage. A synopsis can be a story guide for writing your screenplay, or be written afterwards as part of your film’s press kit. So, how do you write a good synopsis? First you have to know the basics.
by Robin Rowe
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After taking home the Oscar for her very first screenplay, stripper- turned- memoirist- turned- screenwriter Diablo Cody is ready for her close-up.
By Chad Gervich
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Looking around at the proliferation of TV shows and movies, you might not think there’s anywhere entertainment vendors could squeeze in their products. But there is—and they’re looking for writers to help.
by John Scott Lewinski
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With blockbusters like Spider-Man, Jurassic Park, Mission: Impossible and the newest installment of Indiana Jones under his belt, you'd think scriptwriter David Koepp holds the secret to Hollywood success. And in some ways, he does.
by Patrick McGilligan
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Trying to make a living writing books is difficult, so a word of advice to anyone who’s planning a move to Los Angeles: Stay right where you are.
by Marc Weingarten
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The West Wing's Emmy-winning writer explains the "barometer of artistic integrity."
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