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November 23, 2008
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Alone With All That Could Happen
July 03, 2008
by David Jauss
 Buy book | Amazon | BN.com Alone With All That Could Happen by David Jauss Writer's Digest Books, 2008 ISBN 978-1-58297-538-2 $19.99 hardcover, p.256 Read an Excerpt! David Jauss talks about truth in fiction in the chapter "You're Not Alone." About the Book The pieces of a satisfying novel or story seem to fit together so effortlessly, so seamlessly, that it’s easy to find yourself wondering, “How on earth did the author do this?” The answer is simple: He sat alone at his desk, considered an array of options, and made smart, careful choices. In Alone With All That Could Happen, award-winning author and respected creative writing professor David Jauss offers practical information and advice that will help you make smart creative and technical decisions about such topics as:
Praise for the Book David Jauss is … a master, and this book grants its readers—you who desire to know what it means to write—an invaluable course of study, all at the hands of this extraordinary teacher, writer, and human. —Bret Lott, author of Jewel, A Song I Knew by Heart, Ancient Highway, and other books About the Author David Jauss is the author of two short story collections, Black Maps and Crimes of Passion, and two collections of poems, Improvising Rivers and You Are Not Here. He has also edited two anthologies, Strong Measures: Contemporary American Poetry in Traditional Forms (co-edited by Philip Dacey) and The Best of Crazyhorse: Thirty Years of Poetry and Fiction. A third anthology, Words Overflown by Stars: Creative Writing Instruction and Insight From the Vermont College of Fine Arts M.F.A. Program, is forthcoming from Writer’s Digest Books. His fiction and poetry have appeared in numerous magazines and been reprinted in such anthologies as Best American Short Stories; Prize Stories: The O. Henry Awards; The Pushcart Prize: Best of the Small Presses; The Pushcart Book of Stories: Best Stories from the First 25 Years of the Pushcart Prize; Strongly Spent: 50 Years of Shenandoah Poetry; The Poetry Anthology, 1912–2002, and elsewhere. Several of his essays on the craft of writing have appeared in The Writer’s Chronicle. He served as fiction editor of Crazyhorse for ten years and is currently on the Editorial Board of Hunger Mountain, the Vermont College of Fine Arts’ national literary journal. The recipient of the AWP Award for Short Fiction, the Fleur-de-Lis Poetry Prize, a National Endowment for the Arts Fellowship, and a James A. Michener Fellowship, among other awards, he teaches at the University of Arkansas at Little Rock and chairs the M.F.A. in Writing Program at Vermont College of Fine Arts. Table of Contents Foreword by Bret Lott Introduction I. Autobiographobia: Writing and the Secret Life II. From Long Shots to X-Rays: Distance and Point of View in Fiction III. What We Talk About When We Talk About Flow IV. Remembrance of Things Present: Present Tense in Contemporary Fiction V. Some Epiphanies About Epiphanies VI. Stacking Stones: Building a Unified Short Story Collection VII. Lever of Transcendence: Contradiction and the Physics of Creativity Notes on the Essays Index |
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